Robert H Clark Photography Blog

Acadia

First Light on Otter Point – Acadia National Park, Maine

Jul 172011

First Light on Otter Point, Acadia National Park, Maine. Shot with a Sony α900 and a Zeiss 24-70mm lens at 28mm. Image exposed at ISO 200 at f14 for 1/2 of a second. The White Balance was set to 5500K.

Hi everyone and welcome to today’s post. Well it is only a few weeks now until my North Shore on Lake Superior workshop with Alec Johnson and Travis Bechtel. We are all in the pre-trip angst deciding on equipment choices, prepping files for critiques and teaching, and all other last minute details that can consume one before a trip. The workshop is full so we re all looking forward to a great experience. If I can get my act together in time I will put together a post on my camera bag for this trip.

In the meantime please enjoy today’s image from another beautiful, rocky coastline, only this one is in Maine. This is a shot of Otter Point at first light. Otter Point is one of the more iconic landforms in Acadia National Park and has been the subject of many photographs. For this image I wanted to shoot from a point where I could get some interesting foreground elements to add more visual interest to the shot. I found this area along the coast the evening before and really liked how the foreground pillar of rocks created a negative shape that mirrored the contours of Otter Point. This group of rocks, along with the ones on the right provided a nice framing device. The next morning I climbed down along the shoreline about 40 minutes before sunrise. This area is very slippery and the lowlight conditions required a slower, and more careful approach. Once in place and the shot framed I started to shoot a few test shots as the light came up to check my histograms. A storm from the night before was just clearing and with the addition of the clouds the whole composition came together. I used a 4-stop soft edge, Singh-Ray Split Neutral Density filter to balance out the exposure. As the sun cleared the horizon and the first light hit the point I made my exposure.

Thank you as always for stopping by to visit.

Hozógo nasádo (Navajo): Walk in Beauty

Bob

Cadillac Mountain Fall – Acadia National Park – Adobe Lightroom RAW Development Process

Acadia, Acadia National Park, Adobe Lightroom, Adobe Lightroom Workflow, Landscape, Landscape Photography, Lightroom, Maine, National Parks, Photography Technique, Sony α900, Zeiss Lenses No Responses »

Jan 012011

Cadillac Mountain Fall, Acadia National Park. Shot with a Sony α900 and a Zeiss 24-70mm lens at 24mm. Image exposed at ISO 200 at f14 for 1/2 of a second.

Hi everyone and welcome to today’s post. This image from Cadillac Mountain is from a late fall shoot in Acadia National Park. The day was cold and overcast with fog and occasional rain showers. It was just a typical day early winter day in Maine. The light was a bit flat but this is the kind of shooting condition that helps bring out the colors in the foliage. There was also a stiff breeze and after I had zeroed in on my exposure I had to be patient and wait out the wind cycles. I took eight shots and after inspection in Adobe Lightroom chose this capture to develop. My thought process here is to maintain the softness and hold on to the beautiful colors in the plants. It is not a complex image but it does have some intricate detail in the foreground plants and on the stones. The steps below describe my processing steps in LR to prepare the file for exporting to Photoshop.

My Typical Adobe Lightroom Workflow

Image 1: Screen shot LR Preset Panel

Step 1: Once I have selected an image to work on I will open it in the Develop Module in Lightroom. It is important to understand that Lightroom will apply a Standard Preset to the file. This is applied when you view the files in the Library Module and when you open it in the Develop Module. The LR Preset applies a Tone Curve and Brightness and Contrast adjustment along with a minimum pre-capture sharpening. On first inspection the Standard Preset was not too bad but I thought I could recover more detail in the rock and plants. So the first step is to “Zero” out the file. To do so I apply the LR Preset > General-Zeroed which is selected from the Preset Menu on the left side. This will display the file in its RAW state, as captured. The file will appear flat and the only thing that will apply is the white balance that was selected at the time of capture. On first blush it is a pretty ugly looking file but as long as you have a good histogram with the values well distributed in the mid to quarter tone range you will be able to prepare a good file for export to Photoshop. Image 1 to the right shows the LR Preset Panel and the General – Zeroed selection.

Image 2: Screen shot of LR Tone Curve Panel to set White and Black Points.

Step 2: The next step is to apply a White and Black Point to the image. This is done using the Tone Curve on the Development Panel on the right side. To set the White and Black Point select the “Curve” box in the lower right hand corner of the Tone Curve. See Image 2 to the left. The graph will be in a 45 degree linear line with the black/darker tones to the left and the white/lighter tones to the right. Select the Right Point and move it to the left. As you do so watch the histogram redistribute the pixels to the right. Select the Left Point and move it to the right. As you do so watch the histogram redistribute the pixels to the left. Do not allow the pixels to clip. Leave yourself some wiggle room.

Once I have set a basic White and Black Point the development moves to a back and forth series of adjustments involving the Tone Curve Panel and manipulation of the Recover and Fill Sliders on the Basic Panel. See Image 3 to the left. You may add selection points to your Tone Curve just like in Photoshop by I prefer to use the Sliders for Highlights, Lights, Darks, and Shadows. Just click back on the “Curve” box in the lower right corner to toggle back to the sliders. What I am trying to do in this process is achieve a good starting file that has plenty of detail and headroom to take to Photoshop for final processing. While difficult to show in a lower resolution .jpg file the image has a lot of fine branch detail that needs to be tweaked out. The Standard LR Preset, in my opinion, does not do a good job of bringing out this detail. LR employs Brightness and Contrast sliders for RAW development which I think is less than adequate for the job.

Image 3: LR Screenshot of Tone Panel Sliders and Recovery and Fill Sliders.

To see how effective my changes are working I will select the Before and After view and increase the image magnification to 50%, and sometimes up to 100% when I want to dial into an area. So the tweaking process is a back and forth series of adjustment utilizing the Tone Panel and the Recover and Fill sliders. I will continue to work this until I am satisfied that I have a file with as much of the detail as I can recover and a good histogram that does not clip any of the highlights or shadows. Take a look at Image 4 below. On the left is the image with LR Standard Development Preset. On the right is the image developed through my LR Workflow. The darker areas within the twigs has been opened up and there is now much better separation and detail.

I also reduced the red saturation just a little in the using the HSL Sliders in the LR HSL/Color/Black and White Panel. Too much saturation in this part of the RAW development can cover up needed detail. Final color manipulation can occur in Photoshop. The Clarity Slider will add a hit of Mid Tone Contrast. I don’t use this very much and if I do I tend to keep the adjustment low-usually no more than 10. The same goes for the Vibrance Slider. The reason for this is that I will employ a Mid-Tone Contrast Layer in Photoshop where I have more control over how I apply the layer.

Step 3: The last thing to do before exporting to Photoshop is Sharpening and Noise Reduction. Sharpening in the RAW developer is necessary to counteract the slight blurring that occurs during capture by the sensors anti aliasing filter. I tend to sharpen in several phases during the development of a file. At RAW development, another round to a Filter Layer during processing in Photoshop, a Mid-Tone Contrast Layer, and finally a final sharpen prior to printing. So lets talk about the RAW sharpening. This is done in the LR Detail Panel which includes Sharpening and Noise Reduction. The amount of sharpening I apply depends on the image. I think in terms of “low frequency” versus “high frequency” when considering sharpening. Pre sharpening a “low frequency” image composed primarily of smooth sandstone will receive a different treatment than “high frequency” image with a lot of fine detail, such as this shot. For an image like this I will keep the Radius to 0.5 to 0.8 and the amount to around 50. For smooth surface shots I can afford to set the Radius higher-usually 1.0 to 1.5 with the amount set to 50. To see the effect make sure you are viewing the image at 100%. I also apply a Masking effect which is similar to a “Find Edges” mask in Photoshop. To see the effect of the Masking hold down the Option Key while moving the Masking Slider. The Mask will change from White to Black and White as you increase the amount. Like Photoshop White reveals and Black conceals the effect of the Sharpening. At this stage I will, if necessary, apply some Noise Reduction. Again I will look at the image at 100% and move the sliders. Image sharpening can reveal the noise. If it does a little back and forth manipulation of the Sharpening Sliders and the Noise Sliders will usually correct the problem.

Image 4: Screen capture of LR Preset Development versus Zeroed Out Development.

When I am happy with all the results I will export the file out to Photoshop where it will be developed into a layered masterfile. Image 5 below is a 100% crop of a section of the masterfile and shows just how much detail there is in shot.

Image 5: A 100% crop from a section of the masterfile showing the detail in the plants.

If you have gotten this far I want to thank you for hanging in. I know this was quite a bit of information but hopefully it will give you some starting points for thinking about how you process your RAW files. I will admit that I tinker a lot with my images. In some cases I will go all the way through to Photoshop only to trash the file and start again. It has led me to be more critical of my work.

Thank you for stopping by today. If you have any questions or comments please drop me a note.

Bob

Last Light on Cadillac Mountain – Acadia National Park

Acadia, Acadia National Park, Landscape, Landscape Photography, Lightroom, National Parks, Photography Technique, Photography Trips, Sony α900, Split Neutral Density Filters, sunset, Zeiss Lenses No Responses »

Dec 292010

Last Light on Cadillac Mountain, Acadia National Park. Shot with a Sony α900 and a Zeiss 24-70mm lens at 28mm. Image exposed at ISO 100 at f14 for 1/3 of a second.

Hi everyone and welcome to today’s post. I hope this holiday finds everyone well and enjoying the season. I am truly enjoying the downtime but will return to my hectic schedule in in January. The weather here has been very cold with a lot of wind. Not just a breeze mind you, but blowing a gusty gale. Not exactly photo friendly. But there is ice on the river and I will be heading out to see what I can find. In the meantime here is an image shot on a cold November evening from Cadillac Mountain in Acadia National Park. I had some wind on this evening which made things a bit challenging. There is not a lot of technique I can offer under these conditions except to be patient. Wind typically comes in cycles and there will be a moment of calm before the cycle starts up again. The trick is to feel the ending of the cycle and watch the smaller plants for leaf movement. When it goes to stillness fire the shutter. Don’t wait because the moment is usually very brief. Often the days wind will dissipate in the evening giving you calm conditions-but not always. Suffice it to say we photograph in the natural world and we just have to play the cards we are dealt.

Even with my “wind patience” method there is some leaf blur in this shot. But it is not enough to give me any real heartburn. I spent most of the late afternoon on this section of the mountain exploring the glacier-carved granite that makes up Cadillac. The rock is a kaleidoscope of colors ranging from hues of soft yellows to more intense oranges and rose pinks. And everywhere the rock is covered in colorful lichen. In some instances it looks as if the rock was spattered with blue, green, and red paint. Plants exist in zones between the rock outcrops and grow within the cracks of the stones. On this day the cloudless sky turned a golden yellow-orange and reflected onto the rocks. The angle I chose gave me a beautiful leading line of light that ends with the boulders in the upper left. This line is repeated in the plants and the cracks in the rocks. I used a 4-stop Singh-Ray soft-edge split neutral density filter dropped in to the horizon line to balance the exposure.

The image was processed in Adobe Lightroom and finished in Photoshop.

Thanks for stopping by today.

Bob

Cadillac Mountain – Acadia National Park

Acadia, Acadia National Park, Adobe Lightroom, Landscape, Landscape Photography, Lightroom, National Parks, Photography Technique, Singh-Ray Filters, sunset, Zeiss Lenses 2 Responses »

Sep 302010

Cadillac Mountain, Acadia National Park. Shot with a Sony α900 and a Zeiss 24-70mm lens. Image exposed at ISO 100 at f16 for 1/2 of a second.

Hi everyone and welcome to today’s post. This may be my last post for about a month. I am heading out for an extended trip that will take me to White Sands National Monument, Big Bend National Park, and back to Hawaii to finish some work at the USS Arizona Memorial. I hope to share lots of images with you on my return. In the meantime todays shot is from Cadillac Mountain in Acadia National Park. As landscapes go Acadia National Park is one of the most diverse featuring rocky, coastal shorelines to sub alpine climates. Cadillac Mountain is one of my favorite places to visit. It is very accessible for photographers ans there are plenty of pullouts along the road to the top. There also some very nice trails that take you through diverse ecosystems. The mountain features amazing rock outcrops, forest cover, and extensive views. You can shoot at sunrise and sunset and it is often shrouded in fog and ice. While the views from the top are great I like to explore the lower reaches where you can find some incredible rock formations. This group of boulders which look like elephant toes is one such formation and it is located about hald way up the mountain. Nestled in a bed of ground cover the pink granite is covered in many colorful varieties of lichen. At the time of the day the image was made the golden light really accentuated the pink, rosey color in the boulders.

The image was shot in the late afternoon approximately 1/2 hour before sunset. The sun was still high enough on the horizon to give me some beautiful long shadows and golden color. The white balance was set 5500K to warm up the light and I used a Singh-Ray 2-stop, Graduated Split Neutral Density Filter dropped into just below the far horizon line. The RAW file was processed in Adobe Lightroom and finished in Photoshop.

I want to thank all of you who visit my site and appreciate your patience for the next month while I am out. I look forward to bringing back some images to share with you.

Bob

Cadillac View – Acadia National Park

Acadia, Acadia National Park, Landscape, Landscape Photography, Maine, Mountains, National Parks, Photography Trips, Sony α900, sunset, Zeiss Lenses No Responses »

Jul 202010

A Cadillac View, Cadillac Mountain, Acadia National Park. Shot with a Sony α900 and a Zeiss 24-70mm lens at 28mm. Image exposed at ISO 200 at f14 for 1/5 of a second.

Hi everyone. Todays post is from one of my favorite places, Acadia National Park, just outside of Bar Harbor, Maine. Variety is the key word when referring to the natural features of Acadia National Park. With elevation in the park ranging from 1530 feet to sea level, animals and plants inhabit zones ranging from sub-alpine to intertidal. Ocean, mountains, lakes and streams, wetlands, forests, meadows, and beaches are all found within the roughly 45,000 acres of Acadia, and each feature makes its unique contribution to the natural tapestry. Rising above the park is Cadillac Mountain topping out at 1530 feet above sea level. Cadillac is a photographers paradise with tree covered slopes and rocky outcroppings of lichen covered granite. The entrance road to Cadillac is just off the Acadia Park Loop Road and takes you to the summit. Along the way are various pullouts that give you access to a variety of landscapes along the slopes of the mountain. You can shoot sunrise or sunset on Cadillac and the mountain is often shrouded in fog.

This image was made on a beautiful, calm evening at a set of outcrops I discovered halfway up the mountain. The spectacular view seemed to go on forever. The tortured granite was very rough and covered in a mat of intense green and grey blue lichen. As the sun set the rock took on a golden glow. In order to keep the exposure in balance I used a 3-stop Singh-Ray split neutral density filter that came down just to the far range of hills in the background. The file was processed in Lightroom with final finishing in Photoshop.

Thanks for stopping by today.

Bob

Somes Bridge – Maine

Acadia, Acadia National Park, Black and White, Landscape, Landscape Photography, Maine, Reflections, Sony α900, Zeiss Lenses 2 Responses »

May 132010

Somes Bridge, Somesville, Maine. Shot with a Sony α900 and a Zeiss 24-70mm lens at 24mm. Image exposed at ISO 100 at f16 for 1/4 of a second.

Hi everyone. Todays post is a photo of Somes Bridge located in Somesville just outside of Bar Harbor, Maine. This well-photographed bridge has become one of many icons that symbolize the beauty of Maine. Dating back to the late 1700′s, the bridge reflects the historical architecture of its day. The bridge crosses a tiny section of the unique Somes Sound, the United States’ only East Coast fjord.

Thanks for stopping by today.

Bob

Acadia – Sunrise Reflection on the Beehive

Acadia, Acadia National Park, Landscape, Landscape Photography, Maine, National Parks, Reflections, Sony α900, sunrise, Water, Zeiss Lenses No Responses »

Apr 262010

Sunrise on the Beehive, Acadia National Park. Shot with a Sony α900 and a Zeiss 24-70mm lens at 35mm. Image exposed at ISO 200 at f14 for 1/8 of a second.

Hi everyone. I am going to be traveling later this week and thought I would take the opportunity to post another image before I get away. This post is a fall shot taken of the Beehive, a rock formation in Acadia National Park. This view is taken from Sand Beach just after sunrise. In order to hold the shot I used a 4-stop Singh-Ray soft, split neutral density filter that was brought down just to the tree line. The stillness in the pond allowed for a mirror like reflection of the Beehive and the clouds.

Thanks for stopping by today.

Bob

Acadia National Park – The Tarn at Sunrise

Acadia, Landscape, Landscape Photography, National Parks, Sony α900, Zeiss Lenses 1 Response »

Mar 162010

The Tarn Sunrise, Acadia National Park. Shot with a Sony a900 and a Zeiss 24-70mm lens at 24mm. Image exposed at ISO 100 at f16 for 8 seconds.

Every now and then you force yourself to get up when you don’t want to. When its really cold outside and sleep seems the better option you think maybe, just maybe it might be a special day. The day I shot this image I just wanted to stay in. It was cold. Numbing. The car would not heat up. But I got going, grabbed coffee at Jordon’s and headed to The Tarn. It is a small pond in Acadia, situated along the highway, and is set between two large dome like massifs. Seemingly forgettable. But it is a special place to shoot. It is full of reeds, water lilly, and other aquatic plants. The colors are amazing and depending on where you set up your camera the open areas of water provide perfect reflections of rocks and sky. This day was special. I arrived in the dark to a thick cloud cover. But there was movement towards sunrise and the early cloud cover broke away from the horizon and the sun painted light across the sky. Light hints of pastel pink soon gave way to intense red and orange. As the sky lit up so did The Tarn. All above beautifully reflected in the water below. Within in the span of 15 minutes it was all over. I was the only one there that morning and I felt as if the show was put on just for me. As I walked back to the car I realized I wasn’t cold anymore.

This is not a composite image. I used a Singh-Ray 4-stop split neutral density filter angled along the mountain to balance the intense light. The single RAW exposure was porcessed in Adobe Lightroom with final finishing in Photoshop.

Thanks for stopping by today.

Bob

Monument Cove – February Featured Image

Acadia, Black and White, Featured Image of the Month, Landscape, Landscape Photography, Moab Paper, Singh-Ray Filters, Sony α900 4 Responses »

Feb 032010

February Featured Image of the Month

I have just posted the Featured Image of the Month over on my website. Every month or so I will post an image from my archives or current shoots that will be available at a discount from my regular print prices. The February image is a black and white of Monument Cove located in Acadia National Park. The image was shot in the early morning during a day of rain and drizzle. The slick boulders, many covered in a green algae, proved to be treacherous to walk on. I used a rain cover on the camera and still had to battle wind driven rain on the lens. I carry a small umbrella for conditions like this as well.

The image was shot with a Sony α900 and a Zeiss 24-70mm lens at 24mm. The image was exposed at ISO 200 for 20 seconds at f14. I used a 2-stop Singh-Ray split neutral density filter angled slightly to hold back exposure on the water and sky. The RAW file was processed in Adobe Lightroom and black and white conversion and finishing was completed in Photoshop.

Prints are produced Epson Printers with archival inks on 190 Moab Entrada Natural fine art paper. Prints are available in two sizes; 6″ x 9″ on 8.5″ x 11″, and 11″ x 17″ on 13″ x 19″. All images are titled and signed. Prints can be ordered directly from my website at http://roberthclarkphotography.com. Go to the Featured Image Gallery, select the February image and use the drop down shopping cart feature to select the print size. Payment is direct through PayPal and I will print your image as soon as I receive notification.

Thank you.

Bob

Sunset over Cadillac Mountain

Acadia, Landscape, Photography Trips 2 Responses »

Jan 202010

Beautiful red clouds float over Cadillac Mountain, Acadia National Park. Shot with a Sony α900 and a Zeiss 24-70mm lens set to 24mm. The image was exposed at ISO 200 at f16 for 2 seconds. The RAW file was processed in Adobe LR and Photoshop.

Those of you who visit on a regular basis will notice a change in the design of the blog. This is a new template called Monochrome that was just added to the WordPress Theme Library. I think its a little more dramatic and helps frame the images. Let me know what you think.

Todays post was shot earlier this fall on Cadillac Mountain in Acadia National Park. I was visiting the park to do some survey work and wound up on the mountain in the late evening. The sun was just setting below the horizon off to image left and was subtly lighting up the the boulders. There was three stop difference between the foreground rocks and the sky. To hold the sky in check I used a Singh-Ray 3-stop, soft edge, split neutral density filter. I only had the red in the clouds for a few minutes before the light faded.

For more information on Acadia National Park please visit http://www.nps.gov/acad/index.htm

To see more Acadia images please visit my website at http://roberthclarkphotography.com

Bob

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