Robert H Clark Photography Blog

Colorado Plateau

South Rim Sunset, Lipan Point – Grand Canyon National Park

Arizona, Colorado Plateau, Colorado River, Desert, Grand Canyon, Grand Canyon National Park, Grand Circle, Landscape, Landscape Photography, National Parks, Navajo Lands, Nikon D3x, Photography Composition, Photography Trips, sunset No Responses »

Jul 092011

South Rim Sunset, Lipan Point, Grand Canyon National Park. Shot with a Nikon D3x and a Nikon 70-200mm lens at 85mm. Image exposed at ISO 100 at f13 for one second.

Hi everyone and welcome to today’s post. I am finally home after being away for the last ten days to participate in my daughters pole vaulting camp. Not too much in the way of landscape shooting but a lot fun photographing the vaulters. Now that I am back I can concentrate on some of my latest landscape shots from my last trip to the Grand Canyon.

Today’s image was made from Lipan Point on the South Rim of the Grand Canyon. If I had to make a choice of favorite shooting locations on the South Rim, Lipan Point would get the nod. The vista looking towards the East Rim Palisades is truly remarkable. In my humble opinion when I think about the grand landscape my mind invariably goes to this view. It is an arguable point and some of you may choose other locations from Yellowstone, Glacier, or even Yosemite. But my heart lies here. On a recent trip to the National Gallery of Art I found myself pondering some Albert Bierstadt paintings. In many of his paintings the foreground was rendered in detail which gave way to a vastness of suffused light and detail. His paintings often used atmospheric effects such as dramatic lighting, fog, clouds, and mist to complement his work. Though I am not comparing my image to the work of Bierstadt, his paintings were on my mind as I shot this day. The late afternoon light was beautiful. A gusty wind whipped up dust in the inner canyon and the Painted Desert beyond. The wind, in fact, was brisk and I had to find a sheltered shooting position on a point out from the overlook. Shooting with a large lens like the 70-200mm can present problems with camera shake in the wind. To help I shot from a lower position with my tripod legs spread wide to provide more stability. Focusing was done manually through live view and I used a small weighted beanbag on top of the lens to dampen some of the wind movement. I also set the camera to shoot with Mirror Lock-Up. In most cases, not always though, wind comes in cycles of high intensity to near stillness. When confronted with wind pay attention to the cycles and wait for the calm cycle to trip the shutter.

At this time of the day, and year, it pays to understand how the sun will illuminate the canyons features. As the afternoon sun moves lower in the sky, light will begin to soften in the inner canyon to the point where certain landforms are lit while others are not. In this image the sun is strongly illuminating Escalante Butte, to the left, and Cardenas Butte, to the right. The inner canyon light is softer and there is only a hint of light along the upper rim of the East Palisades. The effect is truly beautiful and dramatic. The image has a strong foreground with detail that gives way to an atmospheric condition brought on by wind blown dust particulates. The paintings of Bierstadt were indeed on my mind this day. To understand how the light changes and is affected by other environmental conditions compare this shot with the June 23, 2011 post which was shot on a different day.

The image was processed to emphasize the leading lines that draw your eye into the image. The line of “light” running up Escalante Butte on the left gives way to the darkened ridge line that frames Cardenas Butte. From there I increased the contrast and detail in the Colorado River to lead the eye towards the lighted rim of the East Palisades and the mass of Temple Butte in the Upper left. This image remains one of my favorite shots I have taken from this location.

Thank you as always for stopping by to visit.

Hozógo nasádo (Navajo): Walk in Beauty

Bob

South Rim Sunset – Grand Canyon National Park

Arizona, Colorado Plateau, Colorado River, Desert, Grand Canyon, Grand Canyon National Park, Landscape, Landscape Photography, National Parks, Nikon D3x, Photography Technique, Photography Trips, Singh-Ray Filters, Split Neutral Density Filters, sunset 2 Responses »

Jun 282011

South Rim Sunset, Grand Canyon National Park. Shot with a Nikon D3x and 24mm PC lens. Image exposed at ISO 100 at f11 for 8 seconds.

Hi everyone and welcome to today’s post. Well I am on the road again for the next week and a half. I might get in a little shooting but this is strictly a father daughter affair as we are heading to south Georgia for a pole vault camp session with Kay’s coach. It is way down below Macon. Way down in the deep south, below the gnat line, where it will be hot and muggy. So I will be out of pocket, so to speak, for a little while.

While I am out of town I will leave you with a another image from my recent Grand Canyon trip. This shot is looking west along a succession of ridge lines on the South Rim. Cloud cover extended over much of the canyon this day and I was not sure anything would happen. In fact, this was the same front that caused me to cancel my Canyon X trip in Page. Somewhat defeated by this turn of events I drove back to the canyon only to find the same dull, gray cloud cover. But though Mother Nature can “take away” an opportunity, she can also provide. On this day Canyon X was not to be. But the gift of a glorious sunset lifted my spirits. This was shot from a remote overlook point that I had scouted several days before. Reaching the spot requires a bit of a climb but the views east and west are amazing. For most of the late afternoon the sun was veiled by the clouds and a fairly stiff wind blew along the ridge line. Higher up the wind was pushing the clouds apart and a hole opened up along the horizon. The clear horizon allowed the light to come through and provided a beautiful show.

This was a delicate shot to balance. I needed to have enough exposure to bring out the trees and Kaibab stone along the ridge but at the same time balance the sky so the two parts remained in visual harmony. At this time of the day if the land had appeared too bright in relation to the sky the overall effect would have appeared unnatural. To help with the balance I used a Singh-Ray, 4-stop, hard edge, split neutral density filter to hold back the sky during the exposure. I watched the histogram and tried to get as much of it to the right as I could, without too much highlight clipping. Though a little clipped in the upper highlights, it was easy to recover in Lightroom during RAW processing.

Though the day started with disappointment it sure ended with a fireworks. I was able to capture several other images from this evening shoot and I will post those as soon as I can get them processed.

Thank you as always for stopping by to visit.

Hozógo nasádo (Navajo): Walk in Beauty

Bob

Lipan Point Sunset – Grand Canyon National Park

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Jun 232011

Lipan Point Sunset, Grand Canyon National Park. Shot with a Nikon D3x and a Nikon 70-200mm lens at 70mm. Image exposed at ISO 100 at f13 for 0.8 seconds.

Hi everyone and welcome to today’s post. As I promised I am beginning to post some of my recent images from my shoot at the Grand Canyon. The shooting conditions were difficult due to the high winds and I found that I had to wait through intensive cycles of strong gusts or seek out secluded perches where the wind was blocked. Some of the gusts reached 40 mph and at this intensity I had to hold on to the camera to keep it from going over the edge. To help me I shot from lower camera positions with the tripod legs spread wide. This also helped me create a more stable base and I could use my body as a wind block. Though difficult, I had to be patient and time my exposures as the wind cycled to a low point. I was using a long lens which can be a problem in windy conditions but the end results were pleasing due to the beautiful, late afternoon light on Cardenas Butte and the East Rim Palisades. The muted sky is due to the smoke and particulates from some of the Arizona fires. All in all it was not a bad way to start the trip. Stay tuned for more images from this trip.

Thank you as always for stopping by to visit.

Hozógo nasádo (Navajo): Walk in Beauty

Bob

Sandstone Fins – Glen Canyon National Recreation Area

Arizona, Colorado Plateau, Desert, Glen Canyon, Glen Canyon National Recreation Area, Grand Circle, Landscape, Landscape Photography, National Parks, Navajo Lands, Photography Technique, Photography Trips, Sony α900, sunset, Twilight Photography 2 Responses »

May 312011

Sandstone Fins, Glen Canyon National Recreation Area. Shot with a Sony α900 and a Sony SAL 20mm lens. Image exposed at ISO 100 at f16 for 1/2 of a second.

Hi everyone and welcome to today’s post. Over the next few weeks I will be pretty busy with work related items including some travel time. To this end I may not be able to get up another post before I return towards the middle of June. I will tell you that the back end of my travels will take me once again to the Grand Canyon and up to Page for a little slot canyon photography. I will be shooting in Canyon X, Secret Canyon, and out at the Fins at Waterholes Canyon, all on the Navajo Reservation. I have wanted to shoot both of these canyons for quite some time and I am quite excited to see them. The Fins are a collection of striated stacks of sandstone similar to todays image. If I have a chance to post another image before I get away I will. But if not I will see you again in a few weeks.

Today’s image was shot at Glen Canyon National Recreation Area. On the road leading out of Page, towards the Glen Canyon Dam, there is a turn off to the right that will take you to a parking area. From there it is an easy hike in multiple directions out into the sandstone play land along the lakes edge. You do not have to travel far to find interesting sandstone formations and patterns. There are quite a lot of these sharped edged, stacked sandstone fins, that really glow in the early morning or late evening light. This image was shot in the late evening when I had just arrived in Page. I came down just after checking into the hotel just to unwind from the trip. It was an evening of beautiful light and a great way to start off another shooting adventure.

If I have the time I often like to begin a shooting trip in this manner. This was not my intended destination but it served to get my mind in the right frame and helped me to unwind and get ready for the next day. All too often we arrive with very little time to prepare and have to jump straight into our main subject. The results can be discouraging and I can think of many occasions where I have lost a days worth of shooting by simply not having my head in the right frame of mind. Learning to ease in, such as in this case, has helped me calm down and experience the light and feeling of a place. In many cases by letting go in such a way your “wind down” excursions can produce some very nice images. Afterwards a nice dinner and then checking your equipment sets a relaxed tone for the next day. Give this a try on your next trip.

I will see you again in a few weeks, and hopefully, with a lot of new images from a spectacular slot canyon.

Thanks for stopping by today.

Hozógo nasádo (Navajo): Walk in Beauty

Bob

Enveloping Storm – Grand Canyon National Park

Arizona, Colorado Plateau, Colorado River, Desert, Grand Canyon, Grand Canyon National Park, Grand Circle, Landscape, Landscape Photography, National Parks, Photography Trips, River, Sony α900, Zeiss Lenses 4 Responses »

May 292011

Enveloping Storm, South Rim, Grand Canyon National Park. Shot with a Sony α900 and a Zeiss 24-70mm lens at 40mm. Image exposed at ISP 100 at f16 for 1/2 of a second.

Hi everyone and welcome to today’s post. This image was shot at Moran Point on the South Rim of the Grand Canyon. I woke on this day to a canyon enveloped in storm clouds and while I did not hold out much hope for any photography this morning I still drove out to the rim to check on the conditions. When I arrived a stiff wind was blowing and the clouds began to lift and roll out from the canyon floor. At sunrise the clouds lifted towards the east to reveal the sinuous curves of the Colorado River. Ever so subtle, the rising sun lit up the river, and brought shape to the canyon beyond. Within minutes however, the eastward blowing storm soon enveloped my position and pelted me with ice and rain. I had a dickens of a time keeping the lens clear of water droplets. I was able to get 6 shots off before the vista became cloud bound again. By this time the rain was falling in earnest and I had to pack up.

In all honesty when I got up that morning it was all I could do to force myself out into storm. I was thinking a little more sleep and breakfast at the El Tovar Hotel sounded like a much better idea. But I had never seen the canyon like this before so I just willed myself to move. Six shots. That is all I got. Six photographs captured on a CF card. But it is not all that I got. I will tell you that watching the storm roll through nearly brought me to tears. The sheer power and majesty of being in that moment is still with me today. I can still see the swirling clouds rolling up from the canyon floor. The North Rim horizon was completely socked in. Scale and distance was lost in the clouds, swept away to the east on a brisk wind. I can still feel the stinging touch of ice and hear its pinging notes as it struck my camera. Nature put on a show for me that morning and I felt small and humbled by this gift. Six shots. That is all I got. That and a lifetime of memories. Oh, and I did get breakfast at the El Tovar.

Thanks for stopping by today.

Hozógo nasádo (Navajo): Walk in Beauty

Bob

Ghost Dancer – Upper Antelope Canyon, Navajo Lands, Arizona

Antelope Canyon, Arizona, Chiaroscuro Lighting, Colorado Plateau, Desert, Grand Circle, Navajo Lands, Photography Technique, Photography Trips, Slot Canyon, Slot Canyon Photography, Sony α900, Upper Antelope Canyon 4 Responses »

May 142011

Ghost Dancer, Antelope Canyon, Page Arizona. Shot with a Sony α900 and a Sony SAL 20mm lens. Image exposed at ISO 100 at 3.0 seconds at f13.

Hi everyone and welcome to today’s post. Well, it is now late spring when a photographers thoughts turn to chasing light beams in Antelope Canyon. Ok, I know that I might be stretching things a bit for some of you who think that spring fosters the sling of Cupid’s Arrow. I cannot speak on matters of the heart but for me, May is the time when the angle of the sun changes and brings spectacular beams of light in Upper Antelope Canyon.

This image was made in Upper Antelope Canyon, located just outside of Page, Arizona, on the Navajo Reservation. The Navajo guides are very good on the timing of the beams in the various chambers and will place you at the right time to capture them as they emerge. But it pays to be attentive to other opportunities. In this instance I was setting up for a shot more to the camera right position when I looked into the chamber beyond to see this subtle wisp of light. The beam literally shimmered and danced hence the name of this shot, “Ghost Dancer”. I see many things in this image that speak to spiritual matters. The dancing beam and the beautiful light illuminating the canyon roof are powerful archetypes. But if you look closely at the buttresses, and with imagination, you can see many faces etched in the rock. And at the top of the first buttress is an orange ellipse with pointed rays like the sun. The Navajo guides can show you many things carved into the rock by the forces of wind and water. For them the canyon is a spiritual place-a sacred place that is home to many living spirits. After many trips here I have begun to find some faces of my own. They reveal themselves slowly and only if you are ready to see. In my first trip to the canyons I really did not see. Like many first time visitors I aimed my camera at anything that glowed. But over time I have slowed down and now walk the chambers with a more “in the moment” approach. When you slow down many things are revealed to you. I can hear the wind and the subtle falling sounds of minute grains of sand. The dynamic chiaroscuro lighting envelopes you-darkness gives way to light and back to darkness. The rock itself is cool to touch and if you run your hands along the surface you can feel the lines of age cut by natural forces. Light and dark, ancestral faces and animals embedded in the rock, and dancing ghosts of light; if you do not believe this place has a spirit then you have no soul. A strong statement I suppose. But seeing and feeling is believing.

Double Light Beams, Upper Antelope Canyon. Shot with a Sony α900 and a Sony SAL 20mm lens. Images exposed at ISO 100 at f16 for 6 seconds.

Ghost Beam, Upper Antelope Canyon, Navajo Lands, Arizona. Shot with a Sony a900 and a Sony SAL 20mm lens. Image exposed at ISO 100 at f16 for 8 seconds.

The Laser, Upper Antelope Canyon. Shot with a Sony α900 and a Sony SAL 20mm lens. Image exposed at f13 for 15 seconds.

With the above in mind I want to layout a few tips while shooting in the canyons. Before I even talk about equipment or shooting I would ask that you go in with an open mind and a sense of respect. For many of the Navajo guides this is their home and the home their ancestors. Take only pictures and leave only footsteps. The light beams are very popular and the canyon will be very crowded during the summer months. To get the best possible results you should book a Photographers Tour. I would suggest contacting Carol Bigthumb of Adventurous Antelope Canyon Tours. Carol or her guides will place you in the right position and hold back the crowds to allow you the chance to capture some truly amazing images.

As to equipment you must go light and you must be prepared to make quick changes. I carry two bodies with matching quick release plates. One is set with my 20mm or 24mmPC lens and the other with a 24-70. The shots above were all captured with my 20mm which is my weapon of choice. The canyon is narrow and if I need to “zoom” in I just shift my position.

All my shots are done in Manual Mode. I am an old “match needle” guy and I like the control of adjusting the +/- through the Command Dial. As to exposure I will set all controls to what the camera meter believes is correct and view the histogram. Keep in mind that with such extremes of light the histogram will show clipping in the darks and the highlights. I look where the bulk of the mid-tones are located and change my exposure to move those zones to the right and more towards the middle if I can. Make sure you have the blinkies turned on. Some highlight blow-out is to be expected but you want to avoid blowing out the tones in between the mid-tones and highlights. From there take a shot and then bracket around this point.

A tripod is required, period. Exposure times are long and you cannot hand hold your camera to get these shots. Leave the flash at home. The Navajo guides will ask you not to use flash and your photographic results will be quite disappointing. And along with the tripod do not forget you electronic shutter release. Shoot in mirror lock-up mode to minimize and potential camera shake.

Shoot with low ISO. Todays cameras are quite good at controlling noise but I still prefer the shooting at ISO ranges of 100 to 200 and longer shutter speeds. A longer shutter of from 2 seconds or longer is necessary to capture the ghost like beams. The guides will toss sand into the light and longer shutter times will give you the shimmering movement.

When possible shoot from a low tripod position. When the light beams occur their contact with the ground will produce a hot, white spot. By lowering the camera position the spot becomes thinner and less pronounced. As you can see the dynamic range of light is incredible. Deep shadows to blown out highlights. Bracketing exposures for blending will help you in post processing. However I will tell you the shots above were done in a single capture so it can be done.

I do not use filters to enhance the color. The intensity of light and color is already there. I do not use the Auto WB but instead set my exposures on the K scale. Typically I set this in warmer light to 5500K. If I want to pull out more cooler tones I will set it to a tungsten setting around 3200K.

If you are planning a trip to Antelope Canyon I hope this small bit of information will help you take some great images.

Thanks for stopping by today.

Hozógo nasádo (Navajo): Walk in Beauty

Bob

Apr 262011

Last Light on the East Palisades, Desert View, Grand Canyon National Park. Shot with a Sony α900 and a Sony SAL 70-300mm lens at 70mm. Image exposed at ISO 100 at f16 for 2 seconds.

Hi everyone and welcome to today’s post. This image was shot near Desert View on the South Rim of the Grand Canyon. This view, looking east, is one of the most spectacular on the South Rim. Here you get a real sense of the expanse of the canyon as it turns northward. Down below the Colorado River rolls through the inner canyon on its way to Lake Mead. I do not have a story about this shot. For me it just seems to speak for itself. I don’t want to suggest that it is a timeless image or that I have created some masterpiece. It is just that, for me, it captures the sheer, rugged expanse of the landscape. From my lofty position, save for a gentle wind, I heard only silence, and felt only peace. As the sun set lower to the horizon the light moved up the canyon walls till it just lit the upper precipice. The rock seemed to rise up to capture the light, to hold on to its warm embrace before night set in.

To balance out the exposure I used a Singh-Ray, 3-stop, soft edge, split neutral density filter. The soft edge of the filter has a smooth gradation and I could drop it in to compensate for the brighter sky and just hold on to the light on the canyon walls. The RAW capture was more saturated than I wanted so I dropped out some color to tone this down. I also took out some blue saturation in the inner canyon walls. The RAW image was processed in Lightroom with final finishing in Photoshop.

Thanks for stopping by today.

Hozógo nasádo (Navajo): Walk in Beauty

Bob

Mountain Sheep Canyon – Navajo Lands

Abstracts, Adobe Lightroom, Arizona, Colorado Plateau, Desert, Grand Circle, Landscape, Landscape Photography, Mountain Sheep Canyon, Navajo Lands, Slot Canyon, Slot Canyon Photography, Sony α900, Zeiss Lenses No Responses »

Apr 122011

Mountain Sheep Canyon, Navajo Lands, Arizona. Shot with a Sony α900 and a Zeiss 24-70mm lens at 50mm. Image exposed at ISO 100 at f11 for 1/2 of a second.

Hi everyone and welcome to today’s post. Today’s image is from Mountain Sheep Canyon located on Navajo Lands just outside of Page, Arizona. Mountain Sheep is what I refer to as an open top slot canyon. The top portions of the canyon are wider and more open than a more traditional slot canyon like Upper or Lower Antelope. Open top slots allow more light to enter the canyon which can make shooting more difficult because of the extreme contrasts of light. It is generally best to shoot in open top slots early in the morning or late in the afternoon to take advantage of lower sun angles which will allow you to shoot glowing walls illuminated by bounced and reflected light. When you find yourself in an open top slot at the wrong time, with higher sun angles, you can still find great shots by concentrating more on the details and patterns contained within the sandstone.

This image is a case in point. I ended up in Mountain Sheep in the early afternoon and was greeted with less than ideal conditions due to the amount of sunlight flooding the canyon. I decided to use this as a challenge and see if I could focus more on vignettes within the canyon. So I looked for patterns and interesting formations within the walls and curves of the canyon. In this image I was struck by the curving striations and contortions that gave way to smoother walls. I was also fascinated by the petrified sand caked on the canyon walls. This material was left by flood waters and over time was baked and hardened by the sun. The sand is literally fused to the wall and would require a hammer and chisel to break it away. There is a subtle glow on the surfaces created by reflected light bouncing off the canyon walls behind my camera position. This light helped illuminate the beautiful lines and striations in the sandstone.

The RAW file was processed in Adobe Lightroom and finished in Photoshop. Mountain Sheep Canyon is located on the Navajo Reservation and is only accessible with a Navajo Guide. I first visited the canyon in 2009 and have been back on four other occasions. If you would like to visit the canyon please contact Carol Bigthumb at Adventurous Antelope Canyon Tours.

Thanks for stopping by today.

Hozógo nasádo (Navajo): Walk in Beauty

Bob

Glen Canyon Twilight – Glen Canyon National Recreation Area

Arizona, Colorado Plateau, Desert, Glen Canyon, Glen Canyon National Recreation Area, Grand Circle, Landscape, Landscape Photography, National Parks, Navajo Lands, Photography Trips, Sony α900, sunset, Twilight Photography, Zeiss Lenses 2 Responses »

Mar 282011

Glen Canyon Twilight, Glen Canyon National Recreation Area. Shot with a Sony α900 and a Zeiss 24-70mm lens at 24mm. Image exposed at ISO 100 at f14 at 2 seconds.

Hi everyone and welcome to today’s post. Todays image was shot along the banks of Lake Powell in Glen Canyon National Recreation Area. I arrived in Page, Arizona in the late afternoon and did not have the time to get out to some of my more favorite haunts for sunset. So I decided to take a twilight stroll along the sandstone banks of Lake Powell. There is a parking area just outside of Page, off to the right, before you cross over the Glen Canyon Dam that allows access to some interesting patterns and formations along the lake. The light that evening was soft and subtle. The kind of light and time I really enjoy. I really had nothing in mind to shoot. It was more a time to unwind from the drive and feel the stone under my feet.

I came upon this composition just after the sun had set. A beautiful re-lighting was in effect that just hit the edges of this formation with a soft glow. The scene looked like someone had spilled a giant can of white acrylic paint on the sandstone. This area was underwater at one time before the lake levels began to drop several years ago. This is a kind of calcified material that is eroding and peeling off the sandstone. Over time wind an water will chip away the white surface revealing the Navajo Sandstone below.

If you get to Page, Arizona, this is a fun area to explore and photograph. The walking is pretty easy though there are some areas of uneven terrain. The area can be shot in the morning or late evening.

Thanks for stopping by today.

Hozógo nasádo (Navajo): Walk in Beauty

Bob

Horseshoe Bend Overlook – Glen Canyon National Recreation Area

Adobe Lightroom, Arizona, Colorado Plateau, Colorado River, Desert, Glen Canyon, Glen Canyon National Recreation Area, Grand Canyon National Park, Grand Circle, Horseshoe Bend, Landscape, Landscape Photography, National Parks, Singh-Ray Filters, Sony α900, Split Neutral Density Filters 2 Responses »

Mar 182011

Horseshoe Bend Overlook, Glen Canyon National Recreation Area. Shot with a Sony a900 and a Sony SAL 20mm lens. Image exposed at ISO 100 at f16 for 1/2 of a second.

Hi everyone and welcome to today’s post. My apologies to all my visitors for a slowdown in my posts. I have been quite busy in a few other endeavors and needed to take a small break from the pace. Today’s image is a shot from the Horseshoe Bend Overlook located just outside of Page, Arizona. Next to Toroweap, on the North Rim of the Grand Canyon, Horseshoe Bend ranks in my top 5 places to visit in the US. It is simply unbelievable. The sheer exposure you feel while walking along the canyon rim is nauseating.

On the day I shot this image I was nearly 15 miles away shooting in the Wahweap Hoodoos when I noticed a band of clouds moving in. Based on the direction of movement I knew they would be sitting right over Horseshoe Bend. I raced out of Wahweap and made the 4 mile hike to the car in record time ( at least for an old guy). Then it was a race to the parking area outside of Page and another hike in to the overlook. I made it in time and sure enough the clouds were radiating out over the canyon. The light was soft and beautiful. I have shot the classic image of the canyon showing the full turn of the Colorado River around the butte but lately I have been working on a series of images featuring more of the canyon rim as part of the composition. I think this helps provide an entry point into the shot as well as a more dynamic foreground element. Along with the clouds, the foreground rocks and the angular direction of the river creates a series of dynamic lines that add visual interest.

I used a 4-stop Singh-Ray split neutral density filter to balance the exposure. The image was processed in Adobe Lightroom and exported to Photoshop for the final layer work.

Thanks for stopping by today.

Hozógo nasádo (Navajo): Walk in Beauty

Bob

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