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Grand Circle

Oct 282012
 

Bryce Canyon Sunrise • Bryce Canyon National Park, Utah.

Hi everyone and welcome to todays post. I know it has been a little while since my last post but it has been a whirlwind of a fall that has included the installation of my first one-man show at the City Meat Gallery in Winchester, Virginia, a major shooting trip to Utah, and a trip to Photo Plus Expo in New York. I am just now able to slow down and start looking at some of the files from my recent shoots. Todays image was shot in Bryce CanyonNational Park in Utah and was shot at dawn just below the canyon rim along the Navajo Trail. I found this “hoodoo wall” while scouting a potential morning shot for Thor’s Hammer, one of the more iconic hoodoos in Bryce. I made a mental note of the forms but at the time did not think too much of the shots potential. It was only while checking the rising sun angles with the Photographers Ephemeris on my iPhone that I realized I could capture the rising sun through the window openings in the wall. Scouting and pre-visualizing a shot is an important part of the photographic process. This is especially true when you need to arrive very early, before the sun rises, to set up the shot. As a general rule I like to be on-site and in place at least an hour before sunrise. This gives me time to get into position and an opportunity to watch the “lights come on”. I will always be enthralled by this phenomenon. In the darkness the landscape is seemingly a place of quiet shadows. It can be an eery time as well with thoughts of things that go bump in the night. But as the earth rotates into astronomical twilight, approximately an hour before sunrise, the eastern horizon begins to glow with the promise of a new day. By the arrival of civil twilight the landscape begins to glow with reflected light bouncing from the sky and clouds. Light at this time is generally even and shadowless allowing the forms of the landscape to be revealed. It is my favorite time to shoot.

On the next morning I made a few twilight exposures of Thor’s Hammer and then raced up the trail to set up my camera on the largest window in the hoodoo. I marked the brightest point along the horizon, the point where I thought the sun would rise, and made sure it was visible through the window. I made a few test exposures for the composition and then waited for the sun to rise. It came right on time and light burst through the hoodoos window. In order to get the starburst effect I stopped the camera down to f22. The smaller aperture focuses the light and creates the star. Additionally I wanted to make sure the sun was partially blocked by a piece of the hoodoo which aids in creating the effect and helps to eliminate a lot of the potential flare. I did have a little bit of correctable flare however since I was using my Tokina 16-28 which has a pronounced front lens element. The intense color evident on the hoodoo came from reflected light off the canyon wall just behind my camera position. The RAW file was processed in LR4.2 and finished in PS5.1

Camera: Nikon D800E | Lens: Tokina 16-28mm, f2.8 at 20mm | Exposure: ISO 100 at 1/15th of a second at f22

Thanks for stopping by today.

Bob

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May 132012
 

Storm Light over the North Rim • Grand Canyon National Park, Az.

Hi everyone and welcome to today’s post. I am still embroiled in the day to day activities of my daughters last few weeks in high school. Time is really rolling now and the days are seemingly compressed with so much to do. To get away I returned to some recent files from a winter trip to the Grand Canyon. Time here does not roll at a frenetic pace. Or so I thought. I have long thought the canyon was the “energy” center of the earth. I feel so much power here and I tend to slow my movements and thoughts. I have never tired of the far-ranging views or the labyrinthine forms of the inner canyon. It has always been this way for me.

On this trip I was treated to several days of incredible light and atmospheric conditions. Storm clouds rolled over the canyon dropping snow on the North Rim. From the South Rim it was like watching a movie where natural forces collided. The relative stability of the buttes and rock formations seemed under assault as wind driven clouds dropped tendrils into the canyon, bent on covering the world with a foggy mist. Even the sun joined the fight seeking to break the hold of the clouds. So even here in a place of timeless evolution the pace can seem to quicken. My heart raced as I alternately watched the drama and composed the images in my camera. After hundreds of shots I just went on a sensory overload.

When I look at this image today I can still feel the natural power of that day. Standing alone on a finger of rock I was embraced by the changing opera of nature. Life goes on and we simply have to let it play out. These are hard words that I find difficult to live by right now. My child is growing up and I can no more hold on to her as to try and keep the winds at bay. Hard as it is to except, life goes on. It has always been this way.

Thanks for stopping by today.

Walk in Peace

Bob

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Apr 092012
 

The Nameless Canyon • Navajo Lands, Arizona.

Hi everyone and welcome to today’s post. It has been a little while since my last post but I have been up to my neck in various alligators. I have processed many images but just have not had time to get out a post. So to that end I will try and catch up a bit. This image was shot on a recent winter trip out to the Grand Canyon. While I was there I had the chance to connect up with Tony Kuyper for several days of shooting and exploration. This image was shot out in the Painted Desert on the Navajo Reservation. The rolling plains east of the Grand Canyon give way to a series of incredible canyons that fall steeply away into a maze of spires and hoodoos. Tony and I spent most of the early morning in another canyon before ending up here for the afternoon shoot. I can say it was not a disappointment. Not only were the canyons jaw-dropping but we were witness to a series of fast moving storms that rolled across the distant plains. As the sun set I was treated to a beautiful set of crepuscular rays, or “God Rays”, as they are sometimes called. These rays of light can appear as holes in the clouds funnel sunlight down to earth or upward, like beacons, as in this image. However the rays appear, they can add a dramatic and dynamic energy to a photograph. The effect is generally short-lived however and I found I had to scramble to frame the shot before they faded. It was one of the last images I made that day. Sometimes the best is saved until the end.

Technical: This final photograph is a composite of two images. One shot was made of the sky and another for the foreground/midground. I did not use a split neutral density. The two images were processed in Lightroom 4 and the files merged in Photoshop.

Thanks for stopping by today!

Bob

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Mar 102012
 

Twilight over the Sinking Ship • Grand Canyon National Park, AZ.

Hi everyone and welcome to today’s post. Just a short post today featuring a recent image from a February trip to the South of the Grand Canyon. I was there for some NPS work but got out for a little photography in between meetings and surveys. To say I had some incredible weather would be an understatement. I have been to the canyon many times but I have never had the sustained atmospheric conditions I witnessed on this trip. On successive days clouds rolled over the canyon creating dynamic and dramatic light. Clouds passed over the buttes and also dropped into below the rim to drift in and out of the formations. In the evening the clouds moved up allowing beautiful twilight shooting conditions.

This image was shot at one of my “secret”, favorite shooting locations along the South Rim. A short little off-trail scramble brings you to a series of rocky ledges that affords eastern and western views within the canyon. Looking east you can see the giant mass of Coronado Butte, and west affords incredible views of the Sinking Ship formation, aptly named as it appears to be an ocean liner sinking into the water. This image of the Sinking Ship was shot about 10 minutes into civil twilight. The clouds had begun to lift and some subtle re-lighting illuminated the foreground rocks and large buttress to the right. I used these elements to frame the vista to the Sinking Ship.

Technical Details: This image is a composite of two exposures, one for the sky and one for the foreground. The two files were processed in Lightroom and opened as layers in Photoshop. The two files were hand blended using a luminosity layer mask before completing the usual contrast and color layers I typically employ.

Thanks for stopping by today.

Bob

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Mar 032012
 

Cathedral Wash • Glen Canyon National Recreation Area, Az.

Hi everyone and welcome to today’s post. Today I am leaving the interior of the Lonaconing Silk Plant and returning to a different kind of interior shot. This image was taken in Cathedral Wash, a beautiful open-top slot canyon that empties into the Colorado River near Lee’s Ferry. I made the hike in with Tony Kuyper and was treated too an other-wordly landscape cut by the powerful forces of water and erosion. Though the hike begins rather benignly it soon drops through a series of cuts that require navigation and down climbing along protruding shelves of layered stone. The surrounding walls are steep and tower over the canyon. Inside, reflected light bounces off the canyon walls creating a subtle glow to the orange rock. The scale is immense and even with this image it is hard to imagine that if you stepped into the deepest cut your head would not even come up to the first line in the stone. That cut through the lower stone is over 10 feet deep.

The best time to shoot is in the mid morning to early afternoon with clear, blue skies. We started the hike around 10:00 am and finished up by 2:30 or 3:00 pm. The light can be challenging and the trick is to learn to see the subtle reflected glow to form your compositions. In most cases brackets are necessary. This image is a composite of three exposures blended in Photoshop. Extensive dodging and burning was performed to bring the color and contrast tonality of the image together. Though a challenging place to shoot it remains, for me, one of the best hikes you can take at Glen Canyon.

Thanks for stopping by today.

Bob

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Feb 242012
 

Twisted Tree and Winter Light • South Rim, Grand Canyon National Park

Hi everyone and welcome to today’s post. I am currently sorting through about 3000 exposures from my last trip. I have been shooting differently on my last few outings which includes more bracketing of shots for manual blending in Photoshop. I am after more dynamic range in the light and though the Photoshop work takes more effort I think the results are much better.

Today’s image was made from Maricopa Overlook on the Hermits Rest Road. During the winter months the Canyon stops the buses and visitors are able to drive on the Hermits Rest Road which makes access to some of the more dramatic overlooks easy. On this morning there was a fairly heavy cloud cover and I was not to hopeful for a sunrise shot. It was also quite cold at 16 degrees. Still recovering from pneumonia I was not to eager to leave the warm car or my cup of hot tea. But a cold fog had descended on this side of the Canyon and some of the trees were painted with a coat of light hoar frost. No matter how I played with the compositions I just “wasn’t feeling it”. I found this gnarly tree on the walk back to the car just as a bit of soft sunlight began to break through the cloud bank. The yellow glow as very nice and gave a nice halo around the top of tree. So I began to work with this composition placing the top of the tree against this light. In post processing I used several Selective Color Layers to target the Reds, Yellows, Blues, and Whites and followed up with a Dodge and Burn Layer to sculpt the form of the tree. The amazing contortions in the tree truck are testimony to the harsh environment along the South Rim. Beaten by wind, snow, and cold temperatures in the winter this tree is an amazing survivor. In a funny way the tree became a metaphor for how I felt-not feeling well, but surviving.

Technical Details: This image is a blend of three exposures using Enfuse for Lightroom. It was composed for three exposure, one for mid-tones, one for highlights, and one for shadows. The resulting file is sent to Photoshop for final finishing. I like Enfuse as it prepares a very natural looking file without the artifacts that can come from HDR Software. You can get the plugin from The Photographers Toolbox.

Thanks for stopping by today.

Bob

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Feb 202012
 

Wave Formation at Water Holes Canyon • Navajo Lands, Arizona

Hi everyone and welcome to today’s post. I am back from my recent trip to Arizona which included photography at the Grand Canyon, Glen Canyon, and some special areas on Navajo Lands with Tony Kuyper. I have so many images to go through that it will take quite a while to go through them and make selections for processing. As a teaser today’s post is from an area on Navajo Lands just outside of Page, Arizona. The shot was made in the vicinity of Water Holes Canyon. Water Holes is a slot canyon but the surrounding area is a fascinating landscape of sculpted sandstone, many that resemble waves. This wave-like formation was shot just as the setting sun hit the horizon giving me a nice soft light to accentuate the layered edges of the sandstone.

Technical: The image was shot in two exposures, one for the sky and one for the foreground, and hand blended in Photoshop.

Thanks for stopping by today.

Bob

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Feb 092012
 

Clearing Storm on the North Rim-No. 2

Hi everyone and welcome to today’s post. Today is just a quick post as I am in packing mode to head back to the Grand Canyon to finish the trip I started a few weeks ago. As most of you know I was laid to waste by pneumonia while out at the canyon and had to return home early. Though the doctors have said I could see residual effects for awhile I am nonetheless on the mend and ready to get back out. I have promised everyone (fingers crossed :-) ) that I will take it easy. But the plate is full and includes a bit of work for the park as well as several shooting side trips with Tony Kuyper and hopefully, after three attempts, a trip into Canyon X with Charlie Moore.

The image today was shot as I left the canyon a few weeks ago to head home from my shortened trip. It snowed 8″ the night before coating the North and South Rims is a blanket of white powder. Though cold and not feeling well I was still determined to get off a few shots. I don’t want to get to metaphysical here but somehow I think the canyon knew of my situation and gave me a beautiful gift of low lying clouds hanging just below the rim. I have not seen the canyon in this way before and consider this a special treat. In this shot, taken just after sunrise, you can see the clouds wrapping around Buddha Temple (left), Manu Temple (small, in the center), and Orza Butte (just to the right of Manu).

Thanks for stopping by today. I will be back in a few weeks and hope to share more images from the canyon and surrounding area.

Bob

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Jan 292012
 

Clearing Storm over the North Rim, Grand Canyon National Park

Hi everyone and welcome to today’s post. As most of you know who follow this blog I have been away on a combined work/photography trip to the Grand Canyon. I was anticipating a great time with my shooting pal Tony Kuyper. We had compiled a list of places I have not been and was looking forward to bringing back some new images. Alas however that was not to be. Going back nearly a month to my shooting trip to Death Valley I contracted a nagging cough that weeks later was still with me. By the time I arrived at the canyon I was feverish and in quite a fix. I spent most of Sunday in the hotel unable to move and by Monday was in the Grand Canyon Medical Center with several IV’s stuck in my hand. The diagnosis was pneumonia. Needless to say everything was cancelled and I made the flight home two days later. Just to fill in the rest of the story I am on a new antibiotic that is working and I am on the mend.

Despite my condition, on the way out of the canyon to get to the airport at Flagstaff, I still managed to capture a few images. Well let’s just say I was bound and determined to shoot something despite how I felt. Over Monday night it snowed 8″ on the South Rim turning the canyon into a magical sight. Across the way on the North Rim it looked like nature had dropped white sugar sprinkles over the spires and buttes. A layer of clouds had dropped below the rim and was drifting among the canyons formations. As the sun rose and kissed the buttes with light the composition was complete. In this shot you can see the Cheops Pyramid (right), and the Isis Temple (left). Overhead the early morning light turned the clouds a subtle magenta. This was a special sight to see and though I really did not feel well I was bolstered, even if only for a brief period, by the experience. Nature has powerful healing forces. At least it does for me. This image will forever be linked to one of the worst trips I have had. But every time I see this image I will remember it fondly.

Thanks for stopping by today.

Bob

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Dec 092011
 

King of the Hill, Glen Canyon National Recreation Area, Arizona.

Hi everyone and welcome to today’s post. This is an image I have affectionately named “King of the Hill”. It is a rather large pedestal of Navajo Sandstone perched on top of layer upon layer of serrated and swirling stone. To be honest this was a disappointing day. I was scheduled to make a trip into Canyon X but a massive front several states away brought clouds and flat, contrasty light. Not exactly the kind of conditions suitable for slot canyon photography. So with the Canyon X trip cancelled, and determined to shoot something, I wondered out into some slick rock areas near Glen Canyon. I do not like to shoot in desperation as it usually leads to uninspiring images and frustration. But here I was anyway. At the very least this would be a scouting trip for a future trip. I wandered for hours up, down, and through an amazing landscape of sharp-edged stone. They were like giant red layer cakes rising upward through a series of dimensional swirls culminating in a large rock “cupcake” with a cookie on top. But the light was just horrible – flat, contrasty, and featureless. Light brings form, shape, and definition. With it we can separate the elements of an image and bring it to life.

But even without the light I knew there was a shot here in this garden of stone. In conditions like this black and white can save the day. To begin to see the possibilities I set my cameras display setting to black and white. Immediately the possibilities began to surface. The flat red color and grey sky became more cohesive and interesting in black and white. And with a little Lightroom and Photoshop work I knew I could bring out the drama and detail in the stone. I also had to be a little patient with my subject. At time during the day a hint of form would appear in the featureless grey sky. For this shot I waited almost 45 minutes for a band of clouds to form over this formation. Waiting for just the right moment I was able to not only capture some interest in the sky but to also use this to frame around the sandstone pedestal. All day I played this “cat and mouse” game with vary degrees of success. With this image everything fell in to place and I was able to bring home a winner.

Technical Details: This image was shot with a Nikon D3x and a Nikkor 17-35mm lens at 24mm. The image was exposed at ISO 100 at f13 for 30 seconds. Even though I had my screen display set to Black and White the RAW captured all the color data. I experimented with the RAW processing to bring out as much color detail so I could make the B+W conversion in Photoshop. For the final however I made the conversion in Lightroom using the Color Mode Sliders. I have found I have a great deal of control with these sliders and can produce an excellent file for final work in Photoshop.

My workflow in Photoshop followed my typical pattern with one exception. I began, as usual, with “digital gardening” on a filter layer to clean up a few dust spots and applying my Smart Sharpen layer to bring up the micro-contrast of the file. The RAW file brought from Lightroom, though solid, still needed some punch. To do this I “Merged Visible” to create a new Image Layer. Note that here that I could also have flattened the file but I almost never do this as I might want to make some adjustment to the Sharpening and I need the Layer Stacks intact for this. With the new Image Layer active I changed the Blending Mode to Soft Light. You could also use Multiply Mode but this usually requires reducing the opacity of the effect. With Soft Light I find I get a nice punch to the file by increasing the density of the pixels. It is a great technique in certain circumstances to add depth to the file. From here it followed my usual Layers including White and Black Point, several Contrast/Curve Adjustments through Luminosity Masks and extensive dodging and burning. Dodging and burning is where I paint with light and manipulate the highlights and shadows to add visual dimension to the file. Using a combination of the Brush Tool and D+B Tools I work light and dark values at low opacities along edges and flat areas to separate tones and emphasize light and shadow.

Thank you for stopping by today!

Bob

 

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