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Lower Antelope Canyon

Jul 312011
 

Portal Beyond, Lower Antelope Canyon, Navajo Lands, Arizona. Shot with a Nikkor 24mm PC lens. Image shot at f13 in five bracketed exposures then combined in Photomatix Pro.

Hi everyone and welcome to today’s post. I thought I would slip in a quick post today that I prepared for practice for next weeks workshop at Lake Superior. We will be teaching some HDR techniques using Photomatix Pro and I worked up this image shot in Lower Antelope Canyon in the spring. The image was shot in five bracketed exposures, each 1-stop apart, using the bracket controls on the Nikon D3x. After import into Adobe Lightroom the 5 exposures were selected and exported to Photomatix using the LR Plug-In. I processed the file using the Photomatix Fusion controls which gives you a more realistic rendering. Finishing was done in Adobe Photoshop and included a series of steps to bring out details in the shot. This included a Multiply Blend Layer to add tone and contrast to the highlights, a Midtone Contrast Mask, and some extensive dodging and burning on an Overlay Layer set to 66% and filled with 50% Black.

Thank you for stopping by today.

Hozógo nasádo (Navajo): Walk in Beauty

Bob

 

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Jun 042011
 

Sandstone Portal, Lower Antelope Canyon, Navajo Lands, Arizona. Shot with a Sony α900 and a Zeiss 24-70mm lens at 24mm. Image exposed at ISO 100 at f16 for 1 second.

Hi everyone and welcome to today’s post. I had just a bit of time between my trips to post this image. I will be heading back out tomorrow for work in Washington, DC and then out to the Grand Canyon and Page, Arizona the following week. Today’s image of this beautiful sandstone arch was shot in Lower Antelope Canyon. I continue to be amazed by the geological diversity found in a slot canyon. Here, at a turn in the canyon, subtle striations give way to an arching fin of stone carved by the forces of water. A sculpture revealed ever so slowly over time by the subtle removal of material. I wonder just how long it took. And how much longer will it take for water to carve away until it separates completely and is washed away. Eons I should think.

One of the techniques I use when shooting in slots is to shoot from a low camera position. I do this to help emphasize vertical height and to bring in foreground elements to aid in composition. Here I am working with some implied motion created by the layers in the stone. By shooting low and including the mass of rock in the foreground I can create dynamic leading lines that take your eye up the fin. The light is also working for me in the composition as the fin is beautifully lit and subsequently framed by the darker walls beyond. The original RAW file and the final Photoshop Master File was processed to accentuate the leading lines and the play of light.

I’ll be back in a few weeks with shots from the Grand Canyon and some new slot canyon images from Canyon X.

Thanks for stopping by today.

Hozógo nasádo (Navajo): Walk in Beauty

Bob

 

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